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CollectionsAbout Meili & Robert A. Hefner IIIEmployment

n 1985, Robert Hefner made a trip to all the corners and remote regions of Sichuan Province, often sleeping on cots in small factories, while researching the region's natural gas potential for China's Ministry of Petroleum. While there he saw that Deng Xiaoping's post-Cultural Revolution reforms had taken hold so deeply he concluded they were irreversible and that unprecedented growth was sure to continue into the 21st Century. He also believed this would undoubtedly result in a period of unprecedented human change and he knew that such tumultuous change over the centuries had produced great periods of art. So he began to search out what was happening in Chinese art and found that following the Cultural Revolution, many of the younger painters had turned to oil painting to express their pent up creativity and he began collecting immediately by seeking out and acquiring the best examples of this exceptional period.

Other Art
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Seaside, 1984
Wang Zhenghua
Wind and Moon, 1997
Wei Rong
Peking Opera, C. 1970's
Wu Dayu

 

Hometown of Lu Xun, 1972
Wu Guanzhong
Peasant Woman, 1986
Wu Xiaochang
Dragon Character, 1986
Wu Zuoren

 

February, 2001
Xia Xing
Young Scholar, 1989
Xu Mangyao
Instantaneous Static, 1989
Yang Feiyun

 

Aboriginal Woman, 1963
Yang Qiuren
The Sunflower, 1950
Yee Bon (Yu Ben)
Nude, 1985
Zhai Xinjian

 

Tajik Old Man, C. 1980's
Zhan Jianjun
Boat Landing, 1976
Zhang Chongqing
Still Life with Oranges, 1982
Zhang Shenxian

 

Lady in Lazy, 1940
Zhao Shou
Spring Breeze, 1984
Zhou Wei
Sweet Life No. 38, 1999
Zhu Wei

 

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