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n 1985, Robert Hefner made a trip to all the corners and remote regions of Sichuan Province, often sleeping on cots in small factories, while researching the region's natural gas potential for China's Ministry of Petroleum. While there he saw that Deng Xiaoping's post-Cultural Revolution reforms had taken hold so deeply he concluded they were irreversible and that unprecedented growth was sure to continue into the 21st Century. He also believed this would undoubtedly result in a period of unprecedented human change and he knew that such tumultuous change over the centuries had produced great periods of art. So he began to search out what was happening in Chinese art and found that following the Cultural Revolution, many of the younger painters had turned to oil painting to express their pent up creativity and he began collecting immediately by seeking out and acquiring the best examples of this exceptional period.

Other Art
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A Strange Look, 1998
Kuang Jian
Antelope's Corner, 1993
Leng Jun
People's Own Army, 1984
Li Binggang

 

Palace Door, 1987
Li Kai
Winding Through A Thousand Autumns
Li Xiushi
Still Life, C. 1970's
Lin Fengmian

 

Boat Carrying Grass, 1987
Lin Hongji
Sisters, 1984
Liu Aimin
By The Seashore, 1982
Liu Bingjiang

 

Sunrise at West Lake, 1928
Liu Haisu
Autumn Harvest, 1987
Luo Erchun
Early Spring Sunlight, 1993
Luo Zhongli

 

Ancient China, 1986
Mao Lizi
Posing, 1950
Pan Yuliang
The Apples Are Ripe II, 1999
Pang Maokun

 

Double Nudes, C. 1950's
Sanyu (Chang Yu)
Unassembled, 1994
Wang Huaiqing
South China Woman, 1988
Wang Yidong

 

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